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There I saw my little sister with wires connected all around.

DePuy is quoted in Bernd Greiner, War Without Fronts: The USA in Vietnam (New Haven: Yale University Press, 2009), p. 55. Westmoreland is quoted in Guenter Lewy, America in Vietnam (New York: Oxford University Press, 1978), p. 73.

The summary of the film is a young, quiet and timid 17-year-old girl name Carrie White.

The 1890s were an extraordinary decade for Chicago, perhaps the only period in the city's history when its status as a "world city" would be disputed by few. The World's Columbian Exposition was held in 1893. "Prairie-school" architects like Frank Lloyd Wright began to acquire a measure of fame. Novels like Sister Carrie were inspired by the city's peculiar mixture of wealth and squalor--and by its astonishing growth. It is often said that Chicago grew more quickly in the second half of the 19th century than any large city in the modern history of the Western world. In the 1890s alone its population increased by 600,000. In 1900, with 1.7 million people, Chicago was, by some measures, (briefly) the fifth or sixth largest city in the world.

I had reasons to admire Lisa other than her being my older sister.

A collection of late-twentieth-century essays on , including a useful bibliography.

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SparkNotes: Sister Carrie: Summary

Actress Jane Fonda visited North Vietnam in 1972, making her infamous with American war supporters

The novel has an hourglass structure. Carrie Meeber—pretty, eighteen, penniless, full of illusions—leaves her dull Wisconsin home in 1889 for Chicago. On the train Charles Drouet, a jaunty traveling salesman, impresses her with his worldliness and affluence. In Chicago, Carrie lives in a cramped flat with her sister and brother-in-law. Her job at a shoe factory is physically and spiritually crushing. After a period of unemployment, she allows Drouet to "keep" her. During his absences, however, she falls under the influence of Drouet's friend, a suave, middle-aged bar manager. George Hurstwood deserts his family, robs his employers, and elopes with Carrie, first to Montreal and then, after returning most of the money, to New York, where they live together for several years. As Hurstwood declines, Carrie develops. To earn money, she goes on stage, rising from chorus girl to minor acting parts. When Hurstwood, failing to find decent work, becomes too great a burden, Carrie deserts him. In time, she becomes a star of musical comedies. Meanwhile, Hurstwood sinks into beggary and suicide. In spite of her freedom and success, Carrie is lonely and unhappy.

Critics have labeled the novel's biological-environmental determinism, graphic fidelity, and compassionate point of view as the work of, respectively, a "naturalist," a "realist," a "romanticist." Consistently, Dreiser intermingles the world-as-it-is, -seems, and -should-be. Like Stephen Crane, Frank Norris, and Jack London, he creates characters caught in the web of causation and chance. In one of his numerous philosophical asides, the narrator informs us that physico-chemical laws underlie all activity: "Now it has been shown experimentally that a constantly subdued frame of mind produces certain poisons in the blood called katastates, just as virtuous feelings of pleasure and delight produce helpful chemicals called anastates." To evoke the illusion of mechanical motion and spiritual drift, Dreiser relies on metaphor and symbol—Carrie attracted to the magnetic city, Carrie tossed about in the sea of humanity, Carrie rocking in a chair. Against baffling forces, she is a "half-equipped little knight," a "little soldier of fortune." And as fortune propels Carrie upward, so it spins Hurstwood downward. Though the narrator avows glorious reason at the end of human evolution, at the end of the novel he pictures a discontented Car-riefated to remain in the clutch of her powerful opportunistic instincts.

“Sister Carrie” can be read as a novel of desire, seduction, or the critique of capitalism and consumerism.
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A short summary of Theodore Dreiser's Sister Carrie

After Drouet leaves, Carrie, feeling alone and bereft in this big city, waits for her sister Minnie to meet her at the station. Carrie will stay with Minnie and her husband Sven Hanson, who live in a small, meagerly furnished apartment. They expect Carrie's wages to help them make their rent payments. Carrie sits in their rocking chair sorting out her thoughts—a position of repose she will often repeat throughout the novel. Realizing how small the apartment is, Carrie then writes to Drouet telling him she cannot see him because there is no room for visitors.

A list of all the characters in Sister Carrie

Through the idiom Schoolman names “abolitionist geography,” these writers instead expressed their dissenting views about the westward extension of slavery, the intensification of the internal slave trade, and the passage of the Fugitive Slave Law by appealing to other anachronistic, partial, or entirely fictional north–south and east–west axes. Abolitionism’s West, for instance, rarely reached beyond the Mississippi River, but its East looked to Britain for ideological inspiration, its North habitually traversed the Canadian border, and its South often spanned the geopolitical divide between the United States and the British Caribbean.

Naturalism on Sister Carrie Essay - 953 Words

Carrie finally finds a job but the wages are low and when she wants to go to the theatre or enjoy life in the city, her sister disapproves. Carrie's job on the assembly line is dreadful and nearly all her wages go to her sister at the end of each week. Without enough money to buy warm clothes, when the cold weather comes she turns ill and loses her job. When Carrie recovers from her illness she searches for a new job, but without much success. By accident, she bumps into Drouet, who gives her twenty dollars for new clothes; when she decides to leave her sister's home, Drouet establishes her in a furnished room of her own in another part of the city. After several days of sightseeing and shopping, Carrie and Drouet begin living together.

«Sister Carrie» Summary: Nature in the Novel | …

In both An American Tragedy and Sister Carrie Dreiser presents characters who are driven “by ignorance and in ability to withstand the pressures of the shallow American yearning for money, success, fashion -- dreams about which Dreiser himself was indeed an authority” (W.A.

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