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Free African American papers, essays, and research papers.

William Chapman Nyaho is a Ghanaian American, an independent scholar, teacher and concert pianist. His performances of the works here are stunning, but I'd also like to address the importance of this collection. These are not merely works by composers who happen to be of African descent; they are inspired and informed by ethnic influences. Joshua Uzoigwe's (Nigeria) "Talking Drums" juxtaposes the rhythmic and melodic characteristics found in African master drumming on the Ukom, Iyalu and small slit-drums, and are based on the Ukom scale and harmonic system. Coleridge-Taylor Perkinson's (USA) "Scherzo" is inspired by Chopin, blues and jazz. Gamal Abdel-Rahim's (Egypt) "Variations on an Egyptian Folksong" is compelling and intricate. But don't get me wrong...these are not intellectual exercises in nationalism. Each piece stands on its own musically, and the variety here makes this a compelling and wonderful CD from start to finish.

Free African American papers, essays, and research papers.

Florence Price (1888-1953) was American's first black woman composer to achieve international recognition, and she was highly celebrated in her lifetime. She was a neoromanticist who drew freely on African American folk idioms and fortunately, through work by those such as , she is being restored to her rightful "place among those important composers of the 1930's and 1940's who helped define America's voice in music."

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Founded in 1997, this is the home of interchange between performers and scholars interested in art song by African-American composers. Includes links, recordings, information on composers and more.

"South Carolina served as a portal for a vast majority of African and Caribbean slaves entering this country, and with them came a wealth of musical traditions and identities. Our history and identity as a nation and region are told in this music, in the spirituals, blues, ragtime, jazz and protest songs that developed from these early slave traditions. USC's Center for Southern African-American Music will establish the centricity of Southern African-American music by collecting, preserving, teaching and performing this music, asserting its importance both as a historical and living tradition."

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This is the first release in an emerging three-CD series devoted to twentieth-century composers of African descent; the works and performances on this CD are so rich and wonderful they make me eager to hear the next two! Offered are works by Samuel Coleridge-Taylor (1875-1912), Fela Sowande (1905-1987) and William Grant Still (1895-1978). Best known for his serious choral masterpiece, Hiawatha's Wedding Feast, Afro-British composer Coleridge-Taylor is represented by two works in a lighter vein, "Danse Negre" from African Suite (1898) and the balletic Petite Suite de Concert, Op 77 (1910). Nigerian Fela Sowande's African Suite from 1930 incorporates traditional Nigerian melodies and the influence of Ghanian composer Ephiraim Amu. William Grant Still's Symphony No. 1, "Afro-American," (1930) evolved from blues-based sketches he wrote during the Harlem Renaissance while arranging for jazz ensembles. Conducter Paul Freeman, who worked directly with Still on performances of this and other works, provides a sultry, swinging interpretation several minutes faster than competing CD versions. The program notes, written in an engaging style by Dominique-Rene de Lerma, provide a thorough introduction to the work of all three composers.

This is the second release in an outstanding three-CD series devoted to twentieth-century composers of African descent. Ulysses Kay's (1917-1995) orchestral suite"Theater Set" incorporates march-like rhythms and starts things off with a bang. "Lyric for Strings" by George Walker (b. 1922) is a tender work, a fitting memorial to his grandmother. With "Eight Miniatures for Small Orchestra" Roque Cordero (b. 1917) synthesizes the 12-tone technique with the folk music of his native Panama. Hale Smith's (b. 1925) symphonic poem "Ritual and Incantations" uses idealized African drumming to create a stunning piece full of mystery and sinister undercurrents. Adolphus Hailstork (b. 1941) contributes two pieces: the exhuberant, jazz influenced "An American Port of Call " and the moving, transcendent "Epitaph for a Man Who Dreamed," a memorial for Martin Luther King Jr. The program notes, written in an engaging style by Dominique-Rene de Lerma, provide a thorough introduction to the work of all five composers.

From spirtuals to classical, the archives are dedicated to collecting and preserving the music of African American culture.
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African American History Essay - 2129 Words | Bartleby

I enjoyed this CD from beginning to end! It provides a wide and dazzling array of styles, from lush romanticism to pulsing atonal. The first work, Irene Britton Smith's 1947 Sonata, bowled me over with its haunting lyricism. Negro Dance by Nora Douglas Holt is a wonderful piece of classical ragtime composition that rivals anything I've heard by Joplin. (Holt was the first black in U.S. history to receive a master's degree in music.) Sadly, it is the only piece that survived out of some 200 works which were stolen from storage, and only because it had been published in her short-lived journal Music and Poetry (1921.) Margaret Bond's Troubled Water is a concert piece incorporating jazz idioms, based on the spiritual "Wade in the Water." Florence Smith Price's Fantasie Negre (1929), inspired by the spiritual "Sinner, Please Don't Let This Harvest Pass" is dedicated to Bonds, and is an ambitious work combining African-American melodic and rhythmic idoms with classical European forms.

African American History Essay - 3538 Words

Kaleidoscope: Music by African-American Women. Leonarda Productions, 1995. Helen Walker-Hill, Piano, Gregory Walker, Violin. Program notes enclosed. Celebrates the lives and work of fourteen African-American women composers: Irene Britton Smith; Dorothy Rudd Moore (b. 1940); Julia Perry (1924 - 1979); Betty Jackson King (1928 - 1994); Margaret Bonds (1913 - 1972); Lettie Beckon Alston (b. 1953); Undine Smith Moore (1904 - 1989); Rachel Eubanks; Valerie Capers (b. 1935); Lena Johnson McLin (b. 1929); Regina Harris Baiocchi (b. 1956); Dorores White; Nora Douglas Holt (1885 - 1974); and Florence Price (1887 - 1953.)

Essay Paper on African American History to 1865

"Symphony No. 3 in c minor," which is found on this CD, was premiered in 1940 by the WPA Symphony Orchestra in Detroit. It is solemn and lyrical in places, jubilant in others. It is everywhere rich and beautiful, drawing on European traditions such as French Impressionism but inspired by African American dance rhythms and folk melodies.

African American Essay Questions - History homework …

The singers on this recording are graduates or current students of Morgan State University, conducted by Dr. James Abbington (who also serves as Executive Editor of the series.) The selections include arrangements of spirituals ("Hold On" arr. by Uzee Brown Jr.) and early gospel songs (Lucie Campbell's "Something Within" arranged by Nathan Carter) as well as contemporary works written specifically for choruses. My favorite piece - which would be perfect for commencement ceremonies - is "May the Work I've Done Speak for Me" by Sullivan Pugh, arranged by Colin Lett. This work certainly speaks for GIA's commitment to African American churches.

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