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Advice for Writing the "Why us?" Essay | College …

Ainsworth and I started in Bankhead, Georgia, where I joined him, and, as it happened, met him, after five years of correspondence. He had read my “Looking for a Ship,” and had written to me saying that if I was going to go out on the ocean with people like that I should go out on the road with people like him. When we connected, at the truck stop in Bankhead, almost the first thing he said was “Now, this might not work out.” He assured me that if things did not prove sufficient for my purposes he would understand completely and would take me to the nearest commercial airport. I was to feel free to call it quits anytime, anywhere. Understood? I got out of his truck in Tacoma, having ridden three thousand one hundred and ninety miles with him.

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Cumbersome aspects there may have been, but the scissors, the slivers, the manila folders, the three-by-five cards, and the Underwood 5 were my principal tools until 1984, a year in which I was writing about a schoolteacher in Wyoming and quoting frequently from a journal she began in 1905. Into several late drafts of that piece, I laboriously typed and retyped those journal entries—another adventure in tedium. Two friends in Princeton—Will Howarth, a professor of English, and Richard Preston, one of his newly minted Ph.D.s—had been waxing evangelical for months on end about their magical computers, which were then pretty much a novelty. Preston put me in touch with Howard J. Strauss, in Princeton’s Office of Information Technology. Howard had worked for NASA in Houston on the Apollo program and was now in Princeton guiding the innumerate. For a couple of decades, his contribution to my use of the computer in teaching, researching, and writing would be so extensive that—as I once wrote—if he were ever to leave Princeton I would pack up and follow him, even to Australia. When I met him in 1984, the first thing he said to me was “Tell me what you do.”

The notes from one to the next frequently had little in common. They jumped from topic to topic, and only in places were sequentially narrative. So I always rolled the platen and left blank space after each item to accommodate the scissors that were fundamental to my advanced methodology. After reading and rereading the typed notes and then developing the structure and then coding the notes accordingly in the margins and then photocopying the whole of it, I would go at the copied set with the scissors, cutting each sheet into slivers of varying size. If the structure had, say, thirty parts, the slivers would end up in thirty piles that would be put into thirty manila folders. One after another, in the course of writing, I would spill out the sets of slivers, arrange them ladderlike on a card table, and refer to them as I manipulated the Underwood. If this sounds mechanical, its effect was absolutely the reverse. If the contents of the seventh folder were before me, the contents of twenty-nine other folders were out of sight. Every organizational aspect was behind me. The procedure eliminated nearly all distraction and concentrated only the material I had to deal with in a given day or week. It painted me into a corner, yes, but in doing so it freed me to write.

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A review is equally beneficial for the customers and also to the organizations. Based on the best essay writing service reviews provided by many customers the organization is improving their work. So that they are reach to one of the top position. We’ve most likely all had it pounded into us that we ought to compose an exposition arrangement before we begin composing, yet before you even do that, you have to realize what the contention you’re going to make really is. At exactly that point would you be able to begin composing the structure for a paper that develops to your general decision. To gather what you’re attempting to say into a short, smart outline for you to work from, take a stab at making a Lift Pitch style synopsis of what you plan to compose and why readers ought to be keen on it. In as brief and exact a way as could be expected under the circumstances, depict in point of interest the physical parts of what you saw performed. Remember at all times that whatever you incorporate must somehow add to the affirmation you made in your presentation and postulation.

Kim Lifton is president of . You can read Kim’s blogs and get useful writing tips by signing up for . Wow is also on and. Check their to sign up for webinars and workshops on college admissions essays. Remember this: The college essay subject is YOU; the topic is secondary.

Advice for Writing the "Why us?" Essay | College Admission
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Every year, Wow Writing Workshop’s college application essay experts review many stories just like this one. We send these stories back to our students with tips to help them answer the question, and also stand out in the crowd.

Sample Essay|Color-Coded Example of Essay|Essay Tips …

From what I saw the plurality of students and faculty had been educated exclusively in the tradition of writers like William Gaddis, Francine Prose, or Alice Munro—and not at all in the traditions of Toni Morrison, Cherrie Moraga, Maxine Hong-Kingston, Arundhati Roy, Edwidge Danticat, Alice Walker, or Jamaica Kincaid. In my workshop the default subject position of reading and writing—of Literature with a capital L—was white, straight and male. This white straight male default was of course not biased in any way by its white straight maleness—no way! Race was the unfortunate condition of nonwhite people that had nothing to do with white people and as such was not a natural part of the Universal of Literature, and anyone that tried to introduce racial consciousness to the Great (White) Universal of Literature would be seen as politicizing the Pure Art and betraying the (White) Universal (no race) ideal of True Literature.

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It reminded me of Mort Sahl, the political comedian, about whom, six years earlier, I had written my first cover story at Time. The scale was different. It was meant to be only five thousand words and a straightforward biographical sketch, appearing during the Kennedy-Nixon Presidential campaigns, but the five thousand words seemed formidable to me then. With only a few days to listen to recordings, make notes, digest files from Time correspondents, read morgue clippings, and skim through several books, I was soon sprawled on the floor at home, surrounded by drifts of undifferentiated paper, and near tears in a catatonic swivet. As hour followed hour toward an absolute writing deadline (a condition I’ve never had to deal with in fifty years at The New Yorker), I was able to produce only one sentence: “The citizen has certain misgivings.” So did this citizen, and from all the material piled around me I could not imagine what scribbled note to take up next or—if I figured that out—where in the mess the note might be.

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You’ll find all sorts of advice online about writing admissions essays; much of it inaccurate or confusing. As you near the end of your college application process and put the finishing touches on your essays, be careful whose advice you follow, and make sure you know your sources.

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