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The author makes evident what the evil is in the poem Beowulf.

The problem with Zemeckis' "Beowulf" isn't that it departs from the original story, or that this plot twist is inherently unworkable. In order to generate any kind of narrative tension, Beowulf has to change, be something other than just a brave and virtuous hero. The movie's solution, although too obvious and somewhat anachronistic (the figure of the corrupting, sexually powerful witch-woman is more associated with the later Middle Ages, as in a character like Morgan le Fay, than Anglo-Saxon literature), could theoretically have worked. Moreover, it can even be justified in terms of certain critical readings of the poem: According to a strong Christian interpretation, Beowulf's death is his atonement for the sin of pride, to which he succumbed as king. For example, in his 1989 book "The Condemnation of Heroism in the Tragedy of Beowulf," Fidel Fajardo-Acosta argues that the "battle with Grendel's mother represents the initiation of Beowulf into full-fledged Cain-gianthood, and into the status of demonic being."

In the case of the epic poem, Beowulf, this is also true.

The digression on page fifty-two in lines 884 through 914 of Beowulf in The Norton Anthology: English Literature Volume A, the entertainer who is singing in Beowulf’s honor after he slew the monster Grendel.

In the case of the epic poem, Beowulf, this is also true.

The poem symbolizes Beowulf jumping in to Grendel’s Lake as a baptism.

It is a poem that follows Beowulf through his life as he comes to the aid of the king of Danes and at a relatively young age slays a couple of dragons....

The poem follows his journey through life and specifically his defeat of the three antagonists: Grendel, Grendel’s mother and the dragon, who brings about Beowulf’s downfall.

Good and evil is one of the main conflicts in the poem Beowulf.

Throughout the poem, Beowulf endures three battles.

The creators of the movie "Beowulf," however, failed to even recognize that the epic is composed of ancient stones, or that those stones might have something to say to us today. They spent millions of dollars replicating the look of the past, but they forgot that there is something no motion-capture technology can capture: poetry. The essence of "Beowulf," or any poem, cannot be evoked by mere images. It must be imagined. And the translation of that vision into cinematic images is a matter of art: It cannot be run through a computer.

Tolkien was able to use the ancient stones in "Beowulf" to build a modern masterpiece because he recognized that the enduring power of myths derives from their deeper truth. This does not mean he believed that orcs and goblins and elves really existed; rather it derives from his belief that the world was enchanted, illuminated by a sacred light, and that the human sub-creations we call myths -- "living shapes that move from mind to mind," he called them in a poem he wrote for C.S. Lewis -- were splinters of that primordial light. For Tolkien, the ultimate source of enchantment was the Christian God, but it is not necessary to share that faith to feel the power of his creation.

This applies immensely when it comes to the ancient but timeles epic poem Beowulf.
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Beowulf vs. Grendel Essay Examples - Sample Essays – …

J.R.R. Tolkien, the author who created the most powerful mythical universe of our time, was also a renowned "Beowulf" scholar. "The Lord of the Rings" was heavily influenced by the poem, and Tolkien wrote what is still one of the seminal essays about it. Tolkien's analysis of "Beowulf," and more generally of fantasy and myth, illuminate both why he was able to create a modern masterpiece, and why "Beowulf" falls flat.

Beowulf Vs. Grendel :: essays research papers

Aspiring to a larger audience, Zemeckis' film and the three previous film versions of "Beowulf" have radically altered the story. Two of the earlier films take a demythologizing approach, attempting to imagine what real events might have given rise to the supernatural tale. "Beowulf and Grendel," made in 2005 and shot in Iceland, makes Grendel a sympathetic Bigfoot, a vaguely Neanderthal loner who is taking vengeance on the Danes after they killed his father. "The Thirteenth Warrior" (1999), based on a Michael Crichton novel, also eschews the supernatural: The monsters are humans clad in bearskins. In a further wrinkle, it is told from the perspective of an Arab diplomat who finds himself unwillingly in Beowulf's band. Both are worthy efforts, and the eccentric "Beowulf and Grendel" rises at times to heights of hypnotic intensity, although it's painfully uneven. The 1999 "Beowulf," starring Christopher Lambert, is hilariously dreadful, a fine candidate to be made into a Mystery Science Theater episode. It is set in a post-apocalyptic future, with Beowulf as a dark and obsessed hero. The big plot innovation is Grendel's mother, who becomes a hot babe/horrific monster, played by a blond Playboy model in a net, who previously seduced the old king (from which unholy union Grendel emerged) and tries to work her evil wiles on Beowulf by caressing his nether sword. When that fails, she turns into a multiwinged, Pterodactyl-like harpy.

Category: essays research papers; Title: Beowulf Vs. Grendel

"Beowulf: The Monsters and the Critics," published in 1936, marked a turning point in critical studies of the poem. Before Tolkien's essay, most scholars regarded the unknown poet's use of supernatural elements -- the monster Grendel, his equally monstrous mother, and the dragon -- as primitive or childish. Arguing that these "trivial" themes failed to do justice to the poem's exquisite language, they saw "Beowulf" as being primarily of historical, not artistic, interest. As the scholar W.P. Ker wrote in 1904, "The thing itself is cheap; the moral and the spirit of it can only be matched among the noblest authors." Tolkien overturned these assumptions. He argued that the poem should be read as a poem, and recognized as a great one. The fantastic elements in "Beowulf," far from being faintly embarrassing, were inseparable from its majestic artistry.

Free Beowulf Grendel Essays and Papers - 123helpme

There is one film version of "Beowulf" that is literally true to the original: Actor Benjamin Bagby recites the entire poem in the original Old English, accompanying himself on the Anglo-Saxon harp. It's a remarkable performance, but the film seems unlikely to ever be shown in places where they charge money for admission.

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