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View this research paper on African-American Art
Although African art is presented here as an integral element of economic, social, and political institutions, in the final analysis the prime element is aesthetic.
Kaleidoscope: Music by African-American Women. Leonarda Productions, 1995. Helen Walker-Hill, Piano, Gregory Walker, Violin. Program notes enclosed. Celebrates the lives and work of fourteen African-American women composers: Irene Britton Smith; Dorothy Rudd Moore (b. 1940); Julia Perry (1924 - 1979); Betty Jackson King (1928 - 1994); Margaret Bonds (1913 - 1972); Lettie Beckon Alston (b. 1953); Undine Smith Moore (1904 - 1989); Rachel Eubanks; Valerie Capers (b. 1935); Lena Johnson McLin (b. 1929); Regina Harris Baiocchi (b. 1956); Dorores White; Nora Douglas Holt (1885 - 1974); and Florence Price (1887 - 1953.)
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Symphonic Brotherhood: The Music of African-American Composers. Albany Records, 1993. Order or listen at Bohuslav Martinu Philharmonic, Julius P. Williams, conductor. Everett McCorvey, Tenor. Biographical information and program notes enclosed. Adolphus Hailstork (b. 1941) " Symphony No. 1"; Henry (Harry) Thacker Burleigh (1866-1949) "The Young Warior"; Julius Penson Williams (b. 1954) "Is It True?"; Gary Powell Nash (b. 1964) "In Memoriam: Sojourner Truth"; David Nathaniel Baker (b. 1931) " Kosbro." This CD emphasizes the mainstream character of the compositions; as it says in the program notes, "The fact that these five composers...are of African descent will become clear only when viewing the photographs." And yet, some of the compositions incorporate very slight elements of jazz, gospel and spirituals. Interestingly, Burleigh's "Young Warrier" gained great popularity in Italy during WWI as a "patriot anthem."
The Unknown Flower: Song Cycles by American Women Composers of the 20th Century. Calvin College Alumni Association, 1999. Program notes, biographies and text enclosed. Performed by Charsie Randolph Sawyer, Soprano, with Susan Keith Gray and Hyesook Kim (piano) Jacqueline Sellers (french horn) Karen Krummel (cello) and Linda Hoisington (bells). Includes works by these African American composers: Lettie Beckon Alston (b. 1953); Betty Jackson King (1928 - 1994); and Lena McLin (b. 1928) a niece of Thomas A. Dorsey. Throughout history, women composers have achieved very little recognition for their accomplishments. This CD project is part of an ongoing process of researching and bringing to the forefront artists who have contributed to the great body of classical music that is primarily dominated by European male composers due to historical prejudice. The women composers lovingly presented here by Charsie Randolph Sawyer range in compositional styles from atonality to romantic consonant harmonies, with the texts ranging from Paul Laurence Dunbar to Calamity Jane.
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Black soldiers experienced many indignities after World War I, including not being allowed to celebrate the Allied victory. In Paris, the United States refused to allow any black American soldiers to march with other Allied soldiers, including colonial African troops, in the victory parade up the Champs-Elysées on Bastille Day in 1919.
The only works on this CD which reflect ethnic identity are the Four African Dances. For the most part, the selections are part of the salon tradition popular at the time...which is in no way meant as a criticism. The music here is engaging, romantic, a joy to listen to. My particular favorite is the compelling Sonata in D minor which, surprisingly, was not successful in his own time. It is richly and perfectly recreated here by Juritz and Dussek.
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African-American art - Wikipedia
Fourteen selections from the African American Church Music Series. This diverse collection - from arranged spirituals to contemporary gospel - would make an excellent choral program. Most of the scores are for SATB and piano. The CD is invaluable because (besides being a joy to listen to ) it demonstrates descants and other improvisations which are not scored. For me, a stand-out piece in this collection is the medley arranged by Joseph Joubert, "The Precious Blood of Jesus." If this closed a choral program, there would not be a dry eye in the house!
African american art black culture essay history in study
World War I represented a turning point in African-American history, shaping the course of the black experience in the twentieth century. The war effort allowed black men and women to assert their citizenship and begin to demand their rights as American citizens.
The American Socialist Party campaigned heavily within the black community, often attracting black candidates for public office.
African arts are much different than American arts
There was a transformation in African American identity and history, but more importantly for the first time in American history, Americans read the thoughts of blacks and embraced their productions, literature, and art (Gates Jr.
Life and work of Faith Ringgold, African-American artist and author.
The singers on this recording are graduates or current students of Morgan State University, conducted by Dr. James Abbington (who also serves as Executive Editor of the series.) The selections include arrangements of spirituals ("Hold On" arr. by Uzee Brown Jr.) and early gospel songs (Lucie Campbell's "Something Within" arranged by Nathan Carter) as well as contemporary works written specifically for choruses. My favorite piece - which would be perfect for commencement ceremonies - is "May the Work I've Done Speak for Me" by Sullivan Pugh, arranged by Colin Lett. This work certainly speaks for GIA's commitment to African American churches.
African Art: History, Characteristics
The expression of the relationship between humanity and the divine and the expression of culture in America is greatly diminished when compared to that of African tribes....
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